In 1997, 8th grade girls across the country had one name on their minds at all time: Jack Dawson. The charming, streetwise protagonist from Titanic was the ideal man to the legions of junior high girls who loved him. Leonardo (or “Leo,” as we affectionately called him) DiCaprio’s face was on the cover of every teenage glossy magazine for months following the film’s theatrical release. Girls the world over were unabashedly smitten with this man, and with the film that launched him onto the A-list.
Now, over a decade later, teens and tweens have a new franchise – and a new face – to fawn over. “Edward Cullen” of the teen vampire series Twilight is a hot topic on the ‘net, with thousands of fan sites and youtube videos dedicated to the Emo Prince of Vampires. The Twilight saga may not be of the same Oscar-worthy ilk as Titanic was, but the ferver among the nation’s girls is undeniably similar. The hubub surrounding this movie phenomenon has gotten me damn curious, so last night, I sat down with my landlord and my gal-pal to watch it. And my verdict is: I totally “get” this movie.
I’ll spare you a plot (what plot?) synopsis, save for that it that it felt like it was written by a fifteen-year-old, complete with silly plot contrivances, flowery and stupid dialogue, and holes you could drive a bus through. Kirsten Stewart plays the female protagonist with the transparently symbolic name, “Bella Swan,” and she has the role of the awkward teen down pat. Her complete lack of any personality makes her the perfect blank slate onto which young girls can project all of their own fears and fantasies, hopes and dreams. To be sure, Bella is pretty, but not intimidatingly so; she ain’t Megan Fox. Her counterpart, the aforementioned Edward Cullen, played by British model-turned-actor Robert Pattinson, is the good-looking incredibly foxy, aloof, poetic, damaged romantic that pulls the heart strings of all the would-be Bellas in the audience with his sparkly complexion, his frequent mood swings (he’s so misunderstood!), and his immaculate hair. The only thing more entertaining than Edward’s gravity-defying ‘do (the higher the hair, the closer to god?) is his facial performance throughout the film. The look of sheer annoyance on his face around the klutzy Bella is unintentionally hilarious, but I digress. Add a dash of old-world mystique in the form of vampire lore, and the sexual frustration purity of, well, the sexless teenage years, and you’ve got the perfect recipe for success among the 12-17 female demographic.
As horrible as this film is, some small part of me… actually enjoyed it.
Believe me, I’m as ashamed to admit this as you are disgusted to read it. Twilight is hardly a literary or artistic achievement by any standards. It’s drawn ire and vitriol from just about everybody, from feminists to internet comedy writers. But I’ve realized that my appreciation for this movie is personal in nature: I can understand the force behind the coming-of-age story of a shy geeky girl with inattentive parents being “rescued” by the older, mysterious hero. Hell, take out the part about vampires, and I’ve lived this story before. I was the awkward 17-year-old teen who felt slightly abandoned by a newly-remarried mother and an overly-permissive father (my parents were great people; like many parents, they just started half-assing it after the divorce). In real life, the 17-year-old me fell in love with an older, artistic, dark and handsome, tragically flawed anti-hero who eternally sought redemption for his sins – or in this case, a severe mood disorder. And, like Edward and Bella, the romance between my “Edward” and I started off fast and fierce… and quickly grew into an all-encompassing, self-enveloping relationship that took hold of both of us until I didn’t know who I was anymore. I recall, six years in, feeling like I was a supporting character in my own life – and that realization marked the beginning of the end.
This impression I had – of not being in center stage of my own story – is repeated throughout Twilight. The story isn’t about the passive, unsure Bella. It’s about the ethereal, chivalrous Edward, who in turn puts Bella on the proverbial pedestal and makes her the focus of his life. And she, in typical stupid-girl fashion, is more than willing to submit her heart and her will to a guy who (seriously) oscillates between treating her like garbage and gold. Hell, even I would have fallen for the pasty bloodsucker too, upon gazing into those bedroom eyes after he saved me from a serious fender bender.
Feminists have lobbed accusations of religious sexism towards the novels’ author, Stephanie Meyer, but I get the feeling that the culprit isn’t so much sexism as it is immaturity. I haven’t read the books, but my understanding is that the narrative is very Edward-centric: often describing his appearance and actions in great detail, repeatedly mentioning how “beautiful” he is, etc. As teens, many of us had unrealistic ideals of what love is. For example, I believed love was indistinguishable from passion, that any man who loves you will always put you first, and that love never changes or fades. Alas, our teenage boyfriends, lacking fluency in girlthink, always inevitably break our hearts. What follows is the painful learning process colloquially known as “growing up.”
So yes, I understand the appeal of this hopelessly tragic love story. Something about Twilight resonates deeply with the teenager within. And my intuition is that I’m not alone, that a lot of women can relate (Hello, Twilight Moms?). My own mom had a similar love affair in her late teens with a tormented artist who, as it turns out, was also mentally unbalanced. My best friend in high school became so deeply involved with an older guy that she and I fell out of contact for over two years. It’s common for many women to fall for damaged men, either because we think we can change them and help them, or because the damaged ones seem to understand our own misery and hardships so well. Either reason is woefully misguided.
So for any young female kittens out there, here’s a reality check: Edward Cullen doesn’t exist. Any guy that gorgeous will neither be socially withdrawn nor devoted to one girl, because he’ll be busy fending off all the other girls who’ve been throwing themselves at him. An exceptionally attractive man has no problem making friends, as he has a strange ability to make women become completely stupid in his presence (for which I resent the hell out of all gorgeous men!). Any guy who’s that damaged is, seriously, not worth the trouble of sorting out that mess – it’ll take years, and if he does ever heal, he’ll probably leave you once he realizes that he can do way better than you and your pathetic codependence. Any guy who treats you like crap one minute and like a princess the next is immature and doesn’t know how to have a Real Human Girlfriend. Any guy who tells you he loves you so quickly is either hoping to get in your pants, or has attachment issues and doesn’t actually know how to bond with a woman. Any guy who uses that much hair product is probably not 100% heterosexual. And, trust me on this one, the last guy who tried to convey his “intensity” by staring at me from across the room/yard/parking lot was a creepy, socially awkward doofus, not a passionate theartthrob.
I have one last comment to make about Twilight. This phenomenon has proven to be remarkably profitable. The sequel. New Moon, raked in $140+ million in its opening weekend. It’s made both of its stars household names, and has launched an entire industry of branded t-shirts, lunchboxes, and other such crap that kids love to collect. Yet, as I noted above, it draws venom from just about anybody and everybody. People have largely written it off as a stupid little girls’ fantasy movie at best, a brainwashing piece of sexist cultural propaganda at worst. Outside of its fanbase, this might be the most derided movie franchise that’s come along in quite some time.
…Hmmm. Now let’s see: poor script, cheesey dialogue, intensely zealous fans, and a vast merchandising empire. Where have I seen that before?

Legitimate Art
Oh yeah, I went there. Star Wars is the most god-awful yet wildly popular movie of all time. As you can see from the graph below, it’s asinine-to-popular ratio is an unprecedented 1:1.

All joking aside, it is rare to find somebody who hates Star Wars with as much rage as the Twilight haters have. So-called “Twi-hards” were accused of ruining a recent Comic-Con – shyeah, because COMICS are damn cool. Look, I’m not one to bang the sexism war drum, but I have to wonder if gender has anything to do with this. Boys can dress up like fantasy Jedi and play with plastic light-up swords, and it’s cute and geeky and harmless. Boys will be boys. Yet, when girls are wearing “Team Jacob” t-shirts to school (Team Jacob has to do with the second film, apparently), “BOY OH BOY these girls are being preyed upon by a sinister marketing machine that’s indulging their silly fantasies about male chivalry and True Love. That’s not how the real world works! These girls should be learning how to become Fortune 500 CEOs!!” Please. Next time you worry about teenage girls getting a skewed sense of reality from Twilight, remember that “Jedi” has become an actual religious identity.